DESIGN, CRAFT & KNOWLEDGE

Design, craft and knowledge of materials form the foundation to my furniture making process.

Design is all around us - it helps turn ideas into reality. It is a creative process that solves problems and proposes new ways of doing something. The phrase ‘form follows function’ is particularly important in furniture design. The function of a piece (what it is to be used for) is usually considered first before the form (how it looks).

The furniture I make fulfils a function and gives practicality to a given space but it also adds style and personality in its form. As well as considering how a piece will be used and what it looks like I’m also thinking about how it will be made. Form, function and fabrication?

As a designer-maker of bespoke furniture I’m often asked to make pieces to fit a clients particular needs - a Console Table to fit an alcove or a Desk lower than standard height. This is the essence of Bespoke Furniture design - creating a design that is unique and tailored to the individual clients needs yet maintaining my sense of style and personality. The final piece finds the balance between form and function.

Craft

A Craftsperson or Artisan can be defined as someone who is extremely skilled at a trade or craft. It is a value that is earned through hard work - honing, refining and practising a set of skills over the course of a career. But it is more than simple repetition - it is a quality that comes from creating with passion, care and attention to detail.

Artisanship in woodwork is rooted in tradition and history - centuries old methods that are still relevant today. Traditional tools and hand skills form the basis of a Woodworkers skillset. However, the adoption of new styles and techniques are also key to innovation and improvement and should be embraced. Modern machinery and power tools are a welcome (if noisy) addition to the workshop but shouldn’t eclipse traditional hand skills.

As a woodworker I am drawn towards the subtle variations that occur between eye, hand and wood. The look of a hand-cut dovetail, the feel of a freshly hand planed piece of wood - all just slightly imperfect but perfectly human. To my mind this is the essence of artisanship - the pursuit of precision and accuracy but without losing the creativity of the process and the human touch. My aim is to make each piece to the best of my ability, to be proud of my work and continue to learn and expand my skillset.

Knowledge of Materials

Wood has been described as ‘a substance with a soul’. It is a remarkable material - gentle to the touch, beautiful to look at and easily worked by skilled hands. No two trees are the same - they are the result of differing growing conditions, climate, location and other factors. Boards cut from the same tree will reveal these characteristics as changes in tone, grain and colour as the cut moves from the heartwood to the sapwood of the log.

Locally sourced Scottish hardwood gives my work a palette of tones, grain and character that reflect the natural environment and Scottish landscape. My work frequently employs contrasting and complementary elements - rough textures against smooth, dark tones against light, wild grain against straight - making them work harmoniously together.

I have a strong materials based approach to furniture making - thinking about or making decisions about the choice of wood from the initial design stage. I prefer to use locally sourced native Scottish hardwood in my work as it reflects the environment and climate that I live in. Scottish woodlands have a familiar range of species in their makeup - Oak, Ash, Elm, Sycamore for example are a common sight and it feels natural to use their wood in my work. (See my guide to Scottish hardwoods for more info).

EXPLORE MY GUIDE TO SCOTTISH HARDWOODS